Million Dollar Quartet - Wikipedia, the free encyclopedia. An article about the session was published in the Memphis Press- Scimitar under the title . The recording was first released in Europe in 1. The Million Dollar Quartet with 1. Jerry Lee & Friends; 1950s; 1960s; 1970s; 1980s; 1990s; 2000s; 2010s; Videos; Biography. Official page with merchandise, concert schedule, photos and more. Elvis Presley; Jimmy 'Orion' Ellis; Scot Bruce; It's Now or.
A few years later more tracks were discovered and released as The Complete Million Dollar Session. In 1. 99. 0, the recordings were released in the United States as Elvis Presley - The Million Dollar Quartet. This session is considered a seminal moment in rock and roll history. After Elvis Presley and Jerry Lee Lewis left Sun. Elvis and Jerry Lee, however, were of a shared. Slideshow of Jerry Lee Lewis and Elvis Presley to the song 'Hello Jospehine'. It's my first video so hope you enjoy it. ROCK 'N' ROLL / WRITERS JOHN BONHAM. What chart rank did the song debut? What is the song about? Songs That Will Make You Cry Uncontrollably. Recording session. Perkins, who by this time had already met success with . Holland, their aim being to record some new material, including a revamped version of an old blues song, . Sam Phillips, the owner of Sun Records, who wanted to try to fatten this sparse rockabilly instrumentation, had brought in his latest acquisition, Jerry Lee Lewis, still unknown outside Memphis, to play piano (at the time, a Wurlitzer Spinet) on the Perkins session. Lewis's first Sun single would be released a few days later. Sometime in the early afternoon, 2. Elvis Presley, a former Sun artist now with RCA Victor, arrived to pay a casual visit accompanied by a girlfriend, Marilyn Evans. Then he went into the studio and some time later, the jam session began. At some point during the session, Sun artist Johnny Cash, who had recently enjoyed a few hit records on the country charts, arrived as well. After running through a number of songs, Elvis and girlfriend Evans slipped out as Jerry Lee pounded away on the piano. Cash wrote in Cash that . The recordings show Elvis, the most nationally and internationally famous of the four at the time, to be the focal point of what was a casual, spur- of- the- moment gathering of four artists who would each go on to contribute greatly to the seismic shift in popular music in the late 1. During the session, Phillips called a local newspaper, the Memphis Press- Scimitar. Bob Johnson, the newspaper. Johnson wrote an article about the session, which appeared the following day in the Press- Scimitar under the headline . The article contained the now- famous photograph of Presley seated at the piano surrounded by Lewis, Perkins and Cash (the uncropped version of the photo also includes Evans, shown seated atop the piano). Releases. He began a long search of the Sun catalogue, browsing through more than 1. At the same time, Singleton licensed much, if not all, of the Sun catalogue to the British. Charly label for reissue in Europe. As a result of Singleton. This was issued in Europe in 1. This resulted in the release of the 1. In 1. 99. 0, they were replicated by RCA for US distribution as a CD and LP, titled, Elvis Presley - The Million Dollar Quartet (RCA CD # 2. R), the sleeve notes of which were written by Colin Escott of Showtime Music, Toronto. A 2. 00. 6 5. 0th- anniversary issue of the session was released on RCA, containing approximately twelve minutes of previously unavailable material and placing the titles in the original recorded sequence. The source of the recording was a copy of the session owned by Elvis Presley. According to Ernst Jorgensen, an authority on Elvis who consults for RCA, the published material contains about 9. But in the first you can hear Elvis arriving and in the last you can hear him leaving. I doubt that there are more. They are not pristine, well rehearsed studio recordings, which were meant for commercial release, but rather the sound of a group of friends, who are gathered together to play old favorites and share the pleasure of making music together. Bob Johnson described it as . The songs of such country and Western legends as Bill Monroe, Ernest Tubb, Hank Snow and Gene Autry are among those featured. Lewis played most of the piano and Presley took nearly all of the lead vocals. The other participants easily follow Presley. Critics have remarked on the irony of his choices as rock & roll was branded as satanic music at the time. Carl Perkins took the lead on only . He had, however, been singing all afternoon. Clayton Perkins and Jay Perkins and drummer W. Holland can be heard on the earliest titles. The rhythm guitar on the earlier songs was played by Charles Underwood, who was a writer for Phillips. Presley also brought with him another aspiring singer, Cliff Gleaves, who might be participating on some of the ensemble parts. Jerry Lee Lewis can be heard more frequently, often singing in duet with Presley and at the end of the session, when Presley got up to leave, he swiftly took over the piano and whipped off five piano ravers in rapid succession, including a rousing . I think he has a great future ahead of him. He had a different style and the way he plays piano and gets inside me. Since his voice is not obvious on the tracks, the point at which Cash arrived at the studio has been a matter of discussion. Carl Perkins and others . At that point the session stopped and we all started laughing and cutting up together. Then Elvis sat down at the piano, and we started singing gospel songs we all knew, then some Bill Monroe songs. Elvis wanted to hear songs Bill had written besides Blue Moon of Kentucky, and I knew the whole repertoire. So, again contrary to what some people have written, my voice is on the tape. It's not obvious, because I was farthest away from the mic and I was singing a lot higher than I usually did in order to stay in key with Elvis, but I guarantee you, I'm there. Colin Escott also reports that Cash might have been brought in for the last part of the session, after Sam Phillips had decided to call the Memphis Press Scimitar. Cash's presence for the entire session might be confirmed, or denied, by four pieces of . In the first, another Sun artist, Smokey Joe Baugh, came by and his gravelly voice can be heard after . In the second, a female voice can be heard asking if . In the third piece of chatter, Elvis is plainly heard mentioning Cash by name on the track . Finally, Elvis can also be heard saying goodbye to someone named Johnny during the ! Sweet Home!, a sentimental ballad as an energetic rockabilly clip. They can also be heard turning their attention to the hit parade of the day. Presley led the session with . Meanwhile, Lewis sings one line of Chuck Berry's . This is not Presley singing Presley, but his imitation of Jackie Wilson, then the lead singer with Billy Ward. It appears as though the Presley entourage spent a few days in Las Vegas (most likely during Presley's short- lived tenure earlier in the year at the Frontier Hotel) and went to watch Jackie Wilson, who had obviously built an impersonation of Presley into his act. Presley describes Jackie Wilson tearing up Las Vegas audiences with a house- on- fire rendition of . He goes on to say that, . I went back four nights straight and heard that guy do that. He was backed up by Perkins and his trio. According to the Rolling Stone review of the album, . His singing, especially on the gospel numbers, is natural and relaxed, minus some of the trademark mannerisms of his official RCA releases. It premiered at Florida's Seaside Music Theatre and was then staged at Village Theatre in Issaquah, Washington (a Seattle suburb) in 2. The musical opened for a limited run at Chicago's Goodman Theatre on September 2. Schaeffer, of Virginia's Signature Theatre. The show transferred to Chicago's Apollo Theater where it opened on October 3. Retrieved June 2. Music. Hound Rock: The Essential Album Guide. Farmington Hills, MI: Visible Ink Press. Archived from the original on September 1. Retrieved June 2. The Rough Guide to Elvis. Retrieved April 2.
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